Twin Peaks and Its Charge

See this Sound Comes First: Inside David Lynch’s Bunker, Where He Started Creating the ‘Twin Peaks’ Sound Design Over 7 Years Ago. 

Thanks to Linda Faludi for the pointer.

One of the things that he’s interested in has been electricity. We’ve done experiments with that over the years. I recorded in Poland, after fresh snow, power lines where either a) the transformer load couldn’t handle them and they were unusually loud, or b) the snow was acting like a packing blanket and making that very prominent. I had that from a decade ago. But reading “Twin Peaks” script and reading how electricity was written into the script, I knew that if what I had recorded years ago was a 120-pound-person version of electricity, we needed a 800-pound version of electricity.


See also: Angelo Badalamenti on Writing Laura Palmer's Theme with David Lynch.

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